![]() Like Gilman herself, she is consequently considered to be suffering from a nervous disorder and is prescribed a lengthy rest cure by her doctor husband John (Joe Mullins). She's at odds with the patterns of it: not maternal, not domestic, but desirous of an intellectual existence, of the opportunity to write. Jane is instinctively rejecting everything that the society of the time tells her she should be. The film opens with a shocking incident which may or may not be real. Jane has no choice but to observe the wallpaper for lengthy periods of time. This causes the pattern to shift and mutate unpredictably, an effect which becomes more disturbing the more closely one observes it. ![]() A particular highlight which also aligns closely with the text of the story is a scene in which Jane presses herself against the wall and inches along it, illuminated by moonlight shining through a barred window which has water running down the glass. Director Kevin Pontuti and cinematographer Sonja Tsypin also contribute a great deal, however, using every trick in the book to bring the wallpaper to life yet never consigning it firmly to the realm of the psychotic or the supernatural. In this instance she - Jane - is played by Alexandra Loreth, who wrote this adaptation, which perhaps gives it something of an edge. Though it has been adapted several times for stage and screen, it is very difficult to capture well, as much of it takes place within its heroine's mind or within her relationship with the wallpaper in the room where she is kept. The architect AWN Pugin condemned this approach, arguing that their 3D effect, when presented on a flat wall, created a disorientating effect, misleading the viewer into thinking that there was something beyond or inside them.Ĭharlotte Perkins Gilman's 1892 short story hinges on this effect. In the Victorian era, patterns featuring flowers and twisting vines predominated in the West, intended to invoke the natural world. It has to be engaging enough to make a sale yet forgettable enough to avoid becoming a distraction. A good pattern has to be simple enough to be easily aligned when the paper is pasted on a wall yet complex enough to avoid causing irritation with its repetition. Designing wallpaper is trickier than it looks.
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